Beauty undeniably occurs to be an experience of contemporary architecture, when discovered in it becomes the source of pleasure and satisfaction thus realizing its basic role of supplying enjoyment derived from being in contact with a work of art. Considering the relativity of its estimation, it is unprogrammable by definition and merely at mercy of individual perception. Consequently, it no longer is the valid category or, better, the required category of the work. Being more the expression of its author's esthetic inclinations, when discovered in a work of art by its consumers it becomes rather the marker of a group of people having similar predilections than a canon or a trend in architecture.
